The book, subtitled A Photographic History of Men in Love, is a visual narrative that reveals tender moments between men - 19th-century working-class guys, fashionably dressed businessmen, university students, soldiers, sailors, and many more - through benign, vernacular portraiture. But I was reminded of this impulse and drive to collect obscure photos when I flipped through the pages of Loving, a gorgeous new monograph composed of hundreds of photos of men from the 1850s to 1950s amassed by Hugh Nini and Neal Treadwell. Or why it continues to hold us spellbound. Now that we are bombarded by billions of images and everyone is a wanna-be avant-garde pocket picture maker, it’s easy for us to forget that until very recently photography was rejected as something with lesser aesthetic value.
